Want to have an experience of extreme intimacy and vulnerability? Spend half an hour communing with your sweetheart with all digital devices out of sight and out of reach. Try it and let me know what happens.
Author Archives
SEX IN THE THEATER: Mae West
According to the Writer’s Almanac, it was on this day — April 19 — in 1927 that actress Mae West was sentenced to 10 days in prison for her starring role in the play Sex, which she also wrote and directed. It was her first Broadway show. Sex got terrible reviews but attracted huge audiences. It had been running for 41 weeks when the police showed up and arrested the cast and crew — although only West was sent to jail. She was charged with “producing an immoral show and maintaining a public nuisance.” She said: “I wrote the story myself. It’s about a girl who lost her reputation and never missed it.”
In jail, West was forced to turn over her silk stockings, but allowed to keep her silk underwear. She got her own private cell, and she charmed the warden and his wife so much that they invited her to eat dinner with them in their home each night. She befriended the other inmates while she made beds and dusted. In her down time, she read business articles comparing various Hollywood studios. She was released two days early for good behavior.
The following year, she wrote and starred in the play Diamond Lil (1928) on Broadway, and it was a big success. She went to Hollywood, got a part in Night After Night (1932), and was allowed to rewrite her scenes. In her first scene, a hatcheck girl says to her “Goodness, what beautiful diamonds!” and West says, “Goodness has nothing to do with it, dearie.” It was a hit, and the next year she co-starred with Cary Grant in I’m No Angel (1933). By 1935, she was said to be the second highest paid person in the United States, after William Randolph Hearst.
QUOTE OF THE DAY: the birds and the bees
“Birds and Bees”
When my daughter starts asking I realize
I don’t know which, if any, birds
have penises. I can’t picture how swans
do it. I’m even confused about bees:
that fat queen and her neurotic workers,
her children grown in cells. I’m worried
by turtles and snakes: their parts hidden
in places I have never seen. How do they
undress? Long ago, awash in college
boyfriends, I knew a little about sex.
I understood the dances and calls,
the pretty plumage. Now, I am as ignorant
as a child. We have gone to the library
to find books though I know sex
is too wild for words. The desire to be
kissed is the desire to live forever
in the mouth of pleasure. My God
I can never tell my daughter the truth.
It is a secret the way spring is a secret,
buried in February’s fields. It is a secret
the way babies are a secret: hidden
by skin or egg, their bodies made of darkness.
DID YOU SEE: New York Magazine on butt-licking
I admire Maureen O’Connor, New York magazine’s current sex columnist, for having the lady-balls to address the subject of rimming in a major mainstream publication. At the same time, I’m kind of appalled at her ignorance and misinformation about the intersection of pleasure and hygiene in this department. It’s one thing to start off with a certain amount of squeamishness about merging the hole you eat with and the hole someone else poops with – we’ve all been there. But O’Connor’s column begins and ends without making any distinction between butt-munching and shit-eating. The latter is a fetish that has its adherents – the clinical word for the practice is coprophagia – but they are very few and far between, virtually all of them “mentally ill, retarded, or otherwise missing a few teeth off the main sprocket.” Analingus is a whole other story, and its enthusiasts know perfectly well how to make a tasty meal out of eating ass without unwanted guests showing up for the feast.
Of course, as with every sexual practice under the sun, not all practitioners apply the same standards. For instance, not every heterosexual man loves to perform oral sex on women (nor is every guy equally adept at it), and although there may be some pussy-eaters who will go down on a woman who is menstruating, I think it’s fair to say that’s not the majority. Similarly, I think it’s fair to say that most people who are into eating ass take steps to make sure their partners are reasonably clean. Not everyone is that meticulous. My friend Eric had a knack for picking up macho construction workers, and he loved burying his face in their musky buttholes. The way he dealt with the hygiene issue was to ration his rimming – he only allowed himself four analingus episodes per calendar year. That worked for him. For me, that’s way too risky. I would prefer the option of unlimited butt-licking, as long as the butt is clean.
How do you determine cleanliness? Some people employ the smell test, either sneaking a finger down there and discreetly sniffing it or waiting until your face is close enough to get a good whiff. You can usually tell. Sometimes I will ask my partner, “Is your ass clean enough to eat off of?” You have to know your partner well enough to know if those words mean the same thing to both of you. I’m always happiest rimming someone who has just stepped out of the shower. (Certainly, that is the best way to engage in butt-licking with close to zero risks to your health. See Cecil Adams’ frank and characteristically informative Straight Dope column for the list of possible diseases that you can get from ingesting fecal matter.)
I want to mention something about rimming scenes in porn. Nowadays you can spend all day watching rimming scenes online, some of it pretty hot. Some commercial porn producers make it a point to model safer sex practices, but many don’t. Maybe especially because it’s ridiculous to expect porn film to take responsibility for educating the public about sexual hygiene, I want to mention that as a sex educator myself, I cringe when I see scenes in porn where someone is rimming, then plays with the partner’s asshole, sticks his finger(s) inside, and then goes back to eating ass again. People do it all the time, but it’s not advisable – even a rectum that’s been recently cleaned out can have traces of fecal matter sloshing around inside, and you don’t want to pull what’s inside out to where it can get in your mouth. If you do, you run the risk of picking up parasites or hepatitis. That’s probably why some people abstain from ass-eating altogether. The closest thing to completely risk-free rimming is covering your partner’s ass in Saran Wrap – you’ll never see it in any porn film, because it’s not especially photogenic, but it can feel fantastic for both partners, and it has the added appeal of removing the possibility of unwanted smells and tastes, not to mention any health risk.
I wasn’t always an aficionado of ass-eating. When I was a young gay guy in my twenties, I couldn’t imagine doing it or enjoying it, partly because anal eroticism was not my strongest interest and partly because of the poopy connotations. It was a mid-‘70s porn film that changed my mind completely, I can’t remember the name of the mustachioed performer or the film I was watching, but his tender ardent tonguing made rimming look like kissing, which was a revelation for me. I’ll always be grateful for that life-changing celluloid moment of adult sex education. If you approach rimming the way you approach kissing – that is, if everybody makes sure to freshen up in advance — it can’t help but be sweet, tender, juicy, exploratory, and intimate.
EVENTS: Living Soulfully, Sunday April 6, 4-6 PM
I will be the guest speaker this Sunday April 6 at Living Soulfully, the monthly gathering of local guys who have been to Easton Mountain Retreat Center in upstate New York or who have an interest in belonging to the extended community of soulful gay men.
My topic is CREATING RITUALS FOR INTIMACY AND CONNECTION. Habits, patterns, and routines bring comfort and stability to our everyday lives. But what happens when those routines grow stale and we feel trapped in same-old same-old? Whether you’re partnered and puzzling over how to keep sex juicy or single and pondering new ways to make contact, what does it take to “get outside the box”?
In this lively interactive presentation (a preview of the workshop I’ll be conducting at Easton Mountain April 24-27), I’ll talk about using creativity to devise rituals that enliven intimacy and promote connection. Although often associated with religious services, a ritual can be any kind of intentional ceremony. It can be cooked up on the spur of the moment and be done in ten minutes, or it can involve elaborate preparation and go on for days. I’ll talk about what goes into creating a powerful ritual, then together we will explore how to identify habits we have and things we do that don’t serve us anymore and practice imagining new ways of connecting with each other that involve verbal communication, and touch, and artistic expression (music, movement, pictures).
Living Soulfully usually meets at the LGBT Community Center on West 13th Street, but because of construction, the meeting will take place at Ripley Grier Studios 520 Eighth Ave. 16th floor,
(8th Ave. b/w 36th and 37th Street). Tell the desk you are going to Ripley-Grier and proceed to the 16th Floor. Living Soulfully’s room will be listed on their board. The meeting goes on from 4:00 to 6:00. Newcomers are welcome. Bring a friend. See you there!
GLOSSARY: on intimacy
What is intimacy? We talk about it all the time. We long for it. We fear it. But what do we mean when we talk about intimacy? There’s some part of it that is physical and erotic, but what part? Sex can be intimate, but it’s not automatically. Intimacy can include sex, but it doesn’t have to. Some part of intimacy is emotional – just having feelings, expressing them, sharing them with another person is pretty intimate, not necessarily something you do on a casual basis with just anyone. Some part of intimacy is verbal – it may not be easy to define, but you know the difference between an intimate conversation and one that’s not especially intimate.
At some personal growth seminar years ago, I heard intimacy defined as “Into-Me-You-See.” I know, it’s a little corny. But it gets to the heart of what constitutes intimacy – showing yourself to someone else, with all the openness, tenderness, courage, vulnerability, and individuality that requires. It’s great when you’re able to relax and feel free to be yourself with another person.
I’ve learned through personal experience and through my professional practice that intimacy can be created. You can build it by hand, step by step, on purpose. That’s the essence of the workshop for gay men that I’m facilitating at Easton Mountain April 24-27, “THAT’S AMORE: Creative Rituals for Intimacy and Connection.” Starting with the process of creating ritual space, formally and informally, we will explore a dozen different ways of cultivating intimacy by devising intentional ceremonies and experiments involving verbal communication, physical touch, imagination, and artistic elements (music, pictures, movement, food, meditation, the natural environment).
The program is intended for single or partnered gay men who would enjoy spending a weekend in a structured environment that supports the quest for authentic love and affection. Each participant will leave with not only tools for connecting more deeply with other men but also a greater appreciation for yourself as a lover.
The cost of the workshop is $495-695 (depending on your choice of accommodations). For more information and to register online, go to http://bit.ly/AmoreEaston.
QUOTE OF THE DAY: James Hillman on imagination
LET’S TALK ABOUT SEX: adult sex education, comic book-style
One of the best things about having a self-proclaimed Big Honking Geek for a boyfriend is that he is thoroughly conversant with the wide world of web comics and frequently turns me on to artists whose work is hilarious, outrageous, beautiful, and/or instructional. Latest example: Oh Joy Sex Toy, the blog by Erika Moen who reviews sex toys for a living and writes up her responses in posts that are delightfully graphic in every sense of the word. She recently posted the most thorough, accessible, user-friendly guide to pleasuring a female partner I think I’ve ever seen. Check out “How To Eat Pussy” — like everything on her site, it’s decided NSFW but adult sex education at its finest.

The artist is from Portland, Oregon (wouldn’t you know). Here she is talking about her work and how you can both benefit from it and support her:
EVENTS: the creative use of ritual
What is the difference between a habit, a pattern, a routine, and a ritual? They exist along a spectrum of behavior, but a key distinction is that habits, patterns, and routines tend to be self-perpetuating to the point where they happen without effort or conscious choice. A ritual, on the other hand, is a ceremony with a specific intention to create or honor a special occasion.

A birthday, for example. There are a bunch of traditional ways we celebrate birthdays — with gifts, a cake, making a wish, and blowing out candles (not to mention, these days, the cascade of Facebook greetings). It can be fun and fulfilling to embrace the traditional birthday celebration. But I had a lovely experience this week with a friend who wanted to acknowledge his birthday in a different way. He asked me to co-create a ritual with him acknowledging and honoring his family heritage. He was very specific about verbalizing his intention:
“I would love to have you witness and respond to meeting and seeing the menfolk ancestors that created the lineage that I followed down onto our Earth plane and then have you meet my womenfolk and childhood in an historic way. To reflect, shed, illuminate and strengthen my ability to heal/transform. I don’t quite know what this all means, but I am compelled at the moment to acknowledge and honor the life that is past, mine and theirs. ”
I was thrilled and honored to be invited to share his birthday this way. He arrived at my house with a shopping bag of materials. I’d laid out a table covered with a colorful fabric on which to create an altar for the occasion of this ritual. He brought some gems that were meaningful to him and some aromatic wood to burn. And then we spent an hour looking at pictures of his parents, his grandparents, his great-grandparents, and some other relatives. He said their names out loud and told stories about how they were related to each other and what impact they’d had on him growing up, and he showed me some pictures I’d never seen of himself as a child. And he read aloud a beautiful poem of birthday blessings that another friend had e-mailed him just that morning. I gave him a hand-written card I’d made and a wrapped present of a music DVD that I thought he would enjoy.

It was amazingly fun. I learned a lot about my friend that I didn’t already know, and there was a sweetness and intimacy because we took the time to do something out of the ordinary, using pictures, storytelling, beautiful objects, sensory enhancements, and meditative awareness very simply to create some magic and to deepen our connection.
This is exactly the kind of experience that is at the heart of “THAT’S AMORE! — Creative Rituals for Intimacy and Connection,” the workshop for gay men that I will be conducting at Easton Mountain Retreat in upstate New York April 24-27. In the course of three days together, I will be teaching the basic skills of creating ritual space and then guiding participants through the process of devising a whole string of intentional ceremonies to explore intimacy and connection through verbal communication, physical touch, and the use of artistic imagination (involving music, writing, movement, photography, meditation, food, and the natural environment).
The workshop is the evolutionary product of my private therapy practice — offering sex and intimacy coaching to individuals and couples — and “Authentic Eros,” the workshop I taught for many years with my friend Kai Ehrhardt. It’s especially designed for the benefit of two kinds of people: partnered guys in long, loving relationships whose physical/erotic/emotional intimacy has gone somewhat dormant and wants to wake up; and single guys who really want to be in a relationship but can’t seem to get past the second date and want to discover some new ways to build intimacy and connection over time. It’s my intention for each participant to leave with not only tools for connecting more deeply with other men but also a great appreciation for yourself as a lover. The cost of the workshop is $495-695 depending on accommodations.
For more information and registration, go to: http://bit.ly/AmoreEaston.
The dance of intimacy, the roller-coaster ride of romance
Don’t you want to fall?
Don’t you want to fly?
Don’t you want to be dangled over the edge of this aching romance?
Last night I saw Matt Alber’s concert in Lincoln Center’s American Songbook series. The bearishly handsome, golden-voiced Texan doesn’t hide his love for men in the songs he sings about the quest for intimacy, to be seen and known. His best-known song, “End of the World,” uses the metaphor of an amusement-park ride to talk about the terrifying and exhilarating process of getting to know someone:
I don’t want to ride this roller coaster
I think I want to get off
But they buckled me down
Like it’s the end of the world
If you don’t want to have this conversation
Then you better get out
Cause we’re climbing to our death
At least that’s what they want you to think
Just in case we jump the track
I have a confession to make
It’s something like a cork screw
I don’t wanna fall, I don’t wanna fly
I don’t wanna be dangled over
The edge of a dying romance
But I don’t wanna stop
I don’t wanna lie
I don’t wanna believe it’s over
I just wanna stay with you tonight
The second half of the song kills me with the nuanced way it talks about the courage and vulnerability it takes to pursue love and connection after your heart’s been broken when other relationships haven’t worked out.
I didn’t mean to scream out quite so loudly
When we screeched to a halt
I’m just never prepared
For the end of the ride
Maybe we should get on something simpler
Like a giant balloon
But I’ve got two tickets left, and so do you
Instead of giving them away to some stranger
Let’s make them count, come on
Let’s get back in line again and ride the big one
Don’t you want to fall, don’t you want to fly
Don’t you want to be dangled over
The edge of this aching romance
If it’s gonna end, then I wanna know
That we squeezed out every moment
But if there’s nothing left can you tell me why
That it is you’re holding onto me
Like it’s the end of the world
This is exactly the territory we will be exploring in “THAT’S AMORE! Creative Rituals for Intimacy and Connection,” the workshop I’m conducting at Easton Mountain Retreat in upstate New York April 24-27. (When I say “we,” I mean me and the guys participating in the workshop, not me and Matt. <smile>) It’s an opportunity to learn and practice using verbal communication, physical touch, and creative imagination to devise limited-time experiments in deepening the dance of intimacy and navigating the roller-coaster ride of romance. For more information about “THAT’S AMORE,” go here.
Meanwhile, if you haven’t already seen it, also check out the video for “End of the World,” which is one of the most beautiful, succinct, and swoonily romantic gay films ever made:









